The Horrors That Persist: The Void

The Horrors That Persist: The Void is an immersive theatre experience that takes the audience on a hero's journey through the lens of the inner child. Through music and soundscapes, audience participation, and community support, a story of triumph for our hero, Ghosty, will unfold. Ghosty starts this journey in their home, a cozy pocket of spacetime in our galaxy, where they lead their friends, the audience, in play. But they are soon discovered by an entity called Care Corp and taken away to participate in "reality". When forced to conform to a capitalistic existence and abandon their joy, Ghosty finally learns how to push back and realizes that they need the help of their friends to overcome and demolish the oppressive systems of this rigid world. Finally, Ghosty learns their true identity: Arden. Arden breaks out of Care Corp's trap and with the help of their community, rebuilds a beautiful new world. Along the journey, Arden learns that this is the only way to heal the child inside and live a life full of joy and potential.

General/All Ages
40 mins
Immersive, Devised, Storytelling, Dance, Physical Theatre
Union Hall
1750 Wewatta St Suite 144, Denver, CO 80202

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Director: 

-     Keenan Gluck

@keedog26 on Instagram

Keenan is a local theatre artist to Denver having performed in many shows with Phamaly Theatre Company, EXPOSED storytelling, and more. This is his directorial debut!


Performers: 

-     Arden Phanes 

@phanesworld on Instagram 

Arden (they/xie/zir) is a multi-disciplinary theatre artist who has ADHD and Autism. They are excited to present their original work to you. Arden has their BA from University of North Carolina Greensboro and has been working consistently in the industry since childhood. You may have seen them most recently working with Phamaly Theatre Company as the Assistant Director of Spelling Bee, ASM for The Legend of Anne Bonny with Two Cent Lion, or writing and performing in the 2025 Denver Fringe Festival. Their upcoming projects include Stage Managing We Are The Tigers for Shifted Lens (May1-16) and performing original work in the 2026 Denver Fringe Festival, so stay tuned! Thank you for supporting this production! “No pride for some of us without liberation for all of us.” - Marsha P. Johnson / @phanesworld

Website: https://sites.google.com/view/...

-     Ryan Herring 

Ryan is a self-taught harmonica player, Navy veteran, and urban planner making his immersive theatre debut at the Colorado Fringe Festival. Drawing inspiration from various folk traditions of klezmer, and New Orleans street music, his playing explores groove, breath, improvisation, and the strange emotional space between chaos and flow. This Fringe Festival performance marks his first major theatrical collaboration as a harmonica player.

-     Phi Johnson-grimes

Phi is a local multidisciplinary theatre artist specializing in acting, singing, directing and visual art. They have a great passion for education and loves sharing knowledge of their craft with the next generation of of theatre makers. 

Website: https://sites.google.com/view/...

-     Asheala Tasker

Sound design consultant

It was a wonderful exploration of childhood and neurodiversity and what a capitalistic world asks of people to give up so much humanity and joy. It was an incredibly poignant journey and I appreciated the audience interaction and permission for the audience to allow our own joy to come out and to unmask in the space. It was a gorgeous piece of art.
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Union Hall

1750 Wewatta St Suite 144, Denver, CO 80202

Entrance: The main entrance is on Wewatta St

Parking: Paid parking is available in an underground garage of The Coloradan building (entrance on 18th and Wewatta), and metered street parking is available along Wewatta Street. 

 Accessibility: ADA accessible venue. There are two ground floor entrances to the building equipped with power assist doors, and most of the public areas within the building are wheelchair accessible.

Admission: You must show your ticket confirmation or purchase a ticket at the venue; all seating is general admission, audiences will wait in a queue before entry to the show